for solo violin and orchestra or piano This serene romance is one of Vaughan Williams's most enduring popular works. Taking its title from a poem by George Meredith, the music perfectly evokes the lark's 'chirrup, whistle, slur, and shake'. This beautifully presented new edition of the violin and piano score includes a preface by Michael Kennedy.

for women's chorus and piano. This cantata features sixteen highly-varied folk song settings, bound together in seasonal groupings to take the listener on an engaging journey through the year from Spring to Winter. The prologue implores us to 'sing and be merry', and many of the songs facilitate this with their charmingly light-hearted melodies and imaginative orchestral accompaniment. There are also darker moments, such as the haunting and heart-rending setting of 'The Unquiet Grave' in 'Autumn'. For this comprehensive new edition, the editor Graham Parlett has drawn on all available sources, providing an authoritative full score with critical commentary. This edition also makes available new materials for the version for string orchestra and piano, and a new vocal score.

for Tenor Tuba (Euphonium) and piano Vaughan Williams's Concerto for Bass Tuba and Orchestra was the first major concerto to be written for the instrument. It was composed in 1953-4 to mark the 50th anniversary of the LSO, and was premiered by the orchestra's principal tuba player, Philip Catelinet. The original plan to transpose it for Euphonium was not realised during the composer's lifetime, and only now, in this transcription by David Childs, has that goal been attained, with Vaughan Williams's orchestration deftly transposed and rearranged by Rodney Newton to allow this characteristic work to enter the repertoire of many more players.